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The Idea of the Festival

[/et_pb_text][et_pb_divider show_divider="off" _builder_version="4.0.5″][/et_pb_divider][et_pb_divider _builder_version="4.0.5″ color="#000000″ width="50%" hover_enabled="0″][/et_pb_divider][et_pb_text _builder_version="4.0.5″ text_font_size="20px" text_letter_spacing="1px" text_line_height="1.5em" background_size="initial" background_position="top_left" background_repeat="repeat"]The idea of the festival first appeared in 1998. In Europa restaurant - then still functioning as a gastronomic and social place - during a dinner after unveiling a plaque commemorating the fact of symbolic transfer of the center of the World to Piotrkow Ryszard Piegza said: Why not here!

A few months later we were hosted by Richard in Paris. Heading to the metro we were wandering down avenue Montaigne and somewhere near the house once inhabited by Marlene Dietrich Richard said: So let's do it. He distributed the functions and proposed the first names. Then, still unaware of the power of the interaction machine set in motion, for the first time we felt so precisely what we wanted. The Piotrkow performance art festival was conceived.

In May 1999, the first International Action Art Festival saw the light of day INTERAKCJE. Before that, the TRANSLACJE International Art Meetings were held in Piotrkow. Thus, for a dozen years or so, artists from all over the world have been coming to the city to present their achievements, to discuss contemporary art, to enter interakcje with the inhabitants and the place - to create art!

Preparing successive editions of the festival, we constantly set ourselves new challenges regarding its future, the forms of evolution it should undergo in order to preserve not only its own image, but also the timeliness of its presentation. Interakcje systematically consolidate their position on the map of contemporary art events. At the same time they retain their freshness and spontaneity, attracting an increasing number of supporters and opponents.

The festival INTERAKCJE is also an attempt to record the collision in a symbolic place - the Center of the World - of the powerful energies of dozens of artists and a special city.

Energii eksplodującej jak wulkan, tak niemożliwej do utrwalenia jak sztuka performance.
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